Irina Ionesco Photography

Being someone who has always been attracted to lingerie, erotica, photography, dress up- it was only natural that I gravitated towards the work of Irina Ionesco.  Perhaps best known for photographs she captured of her young daughter.  The photographs of Eva never mattered to me in the sense of right or wrong, I just appreciated them as beautiful pieces that were interestingly styled.  It wasn't until I showed a book of hers to a friend of mine, a male friend, and his reaction of discomfort became topic for discussion.  He comments on how sexual the photos are and how that makes him feel as a man.  The book then started to take on these characteristics he was describing for me.  I was steered away from the innocence of the moment and could now see the possibility of "inappropriateness", where before all I saw was a mother collaborating with her daughter to express a photographic aesthetic that intuitively women share, the idea of dressing up, creating beauty, which can include lace, fabrics, jewelry... This is the risk one takes when putting themselves out in the world- the risk of being judged for being right or wrong.  I feel at risk myself for being judged, just having written this lil piece.  I leave you with this thought below and allow you to make the decision of what is right or wrong for yourself- or to take it one step further and not judge at all, just observe and explore the grey areas.

"Innocence’ is a word often misunderstood.  It does not mean ‘without guilt’ but rather a freedom and a total openness to life. a complete lack of fear comes through a total faith in living and in your own instinctive self.  Innocence does not mean ‘asexual’ as some people think.  It is 'to express oneself' without fear, without guilt, without connivance and dishonesty.  'It is spontaneous and free,' the expression of love and the ecstasy of life. ”

 

Where do all the balloons go?

Clair de lune by Claude Debussy

played by Stephen Malinowski

Groucho to Woody, 1967 - "There is no money in answering letters"

March 22, 1967

Dear WW:

Goodie Ace told some unemployed friend of mine that you were disappointed or annoyed or happy or drunk that I hadn't answered the letter you wrote me some years ago. You know, of course, there is no money in answering letters—unless they're letters of credit from Switzerland or the Mafia. I write you reluctantly, for I know you are doing six things simultaneously—five including sex. I don't know where you get the time to correspond.

Your play, I trust, will still be running when I arrive in New York the first or second week in April. This must be terribly annoying to the critics who, if I remember correctly, said it wouldn't go because it was too funny. Since it's still running, they must be even more annoyed. This happened to my son's play, on which he collaborated with Bob Fisher. The moral is: don't write a comedy that makes an audience laugh.

This critic problem has been discussed ever since I was Bar Mitzvahed almost 100 years ago. I never told this to anyone, but I received two gifts when I emerged from childhood into what I imagine today is manhood. An uncle, who was then in the money, presented me with a pair of long black stockings, and an aunt, who was trying to make me, gave me a silver watch. Three days after I received these gifts, the watch disappeared. The reason it was gone was that my brother Chico didn't shoot pool nearly as well as he thought he did. He hocked it at a pawnshop at 89th Street and Third Avenue. One day while wandering around aimlessly, I discovered it hanging in the window of the hock shop. Had not my initials been engraved on the back, I wouldn't have recognized it, for the sun had tarnished it so completely it was now coal black. The stockings, which I had worn for a week without ever having them washed, were now a mottled green. This was my total reward for surviving 13 years.

And that, briefly, is why I haven't written you for some time. I'm still wearing the stockings—they're not my stockings anymore, they're just parts of my leg.

You wrote that you were coming out here in February, and I, in a frenzy of excitement, purchased so much delicatessen that, had I kept it in cold cash instead of cold cuts, it would have taken care of my contribution to the United Jewish Welfare Fund for 1967 and '68.

I think I'll be at the St. Regis hotel in New York. And for God's sake don't have any more success—it's driving me crazy. My best to you and your diminutive friend, little Dickie.

Groucho

Cinéma du look_DIVA (1981) trailer

"Cinéma du look was a French film movement of the 1980s, analysed, for the first time, by French critic Raphaël Bassan in La Revue du Cinémaissue n° 448, May 1989, in which Luc Besson was lumped with two other directors who shared "le look."  These directors were said to favor style over substance, spectacle over narrative. It referred to films that had a slick visual style and a focus on young, alienated characters that were said to represent the marginalised youth of François Mitterrand's France. The three main directors of the Cinéma du look were Jean-Jacques Beineix, Luc Besson and Leos Carax. Themes that run through many of their films include doomed love affairs, young people with peer groups rather than families, a cynical view of the police and the use of the Paris Métro to symbolise an alternative, underground society. The mixture of 'high' culture, such as the opera music of Diva and Les Amants du Pont-Neuf and pop culture, for example the references to Batman in Subway, was another key feature."

John Whitney - Matrix III (1972)

"Whitney was born in Pasadena, California.  His first works in film were 8 mm movies of a lunar eclipse which he made using a home-made telescope. In 1937-38 he spent a year in Paris, studying twelve-tone composition under Rene Leibowitz. In 1939 he returned to America and began to collaborate with his brother James on a series of abstract films. Their work, Five Film Exercises (1940–45) was awarded a prize for sound at the First International Experimental Film Competition in Belgium in 1949. In 1948 he was awarded aGuggenheim Fellowship.

During the 1950s Whitney used his mechanical animation techniques to create sequences for television programs and commercials. In 1952 he directed engineering films on guided missileprojects. One of his most famous works from this period was the animated title sequence from Alfred Hitchcock's 1958 film Vertigo, which he collaborated on with the graphic designer Saul Bass.

In 1960, he founded Motion Graphics Incorporated, which used a mechanical analogue computer of his own invention to create motion picture and television title sequences and commercials. The following year, he assembled a record of the visual effects he had perfected using his device, titled simply Catalog. In 1966, IBM awarded John Whitney, Sr. its first artist-in-residence position.

By the 1970s, Whitney had abandoned his analogue computer in favour of faster, digital processes. The pinnacle of his digital films is his 1975 work Arabesque, characterized bypsychedelic, blooming colour-forms. His work during the 1980s and 1990s, benefited from faster computers and his invention of an audio-visual composition program called the Whitney-Reed RDTD (Radius-Differential Theta Differential). Works from this period such as Moondrum (1989–1995) used self-composed music and often explored mystical or Native-American themes."

A little tribute to David S. Ware who died last week

Watch this video via the David Lynch Foundation website

Steve Jobs in 1987 Building NeXT

A good way to start the morning...

A very special announcement from Stephen Colbert

Jonas Bendiksen talks about Satellites

One of my favorite photography books, Satellites by Jonas Bendiksen was featured on Magnum In Motion Video Podcasts.

Splash by Bukowski

the illusion is that you are simply
reading this poem.
the reality is that this is
more than a
poem.
this is a beggar's knife.
this is a tulip.
this is a soldier marching
through Madrid.
this is you on your
death bed.
this is Li Po laughing
underground.
this is not a god-damned
poem.
this is a horse asleep.
a butterfly in
your brain.
this is the devil's
circus.
you are not reading this
on a page.
the page is reading
you.
feel it?
it's like a cobra. it's a hungry eagle circling the room.

this is not a poem. poems are dull,
they make you sleep.

these words force you
to a new
madness.

you have been blessed, you have been pushed into a
blinding area of
light.

the elephant dreams
with you
now.
the curve of space
bends and
laughs.

you can die now.
you can die now as
people were meant to
die:
great,
victorious,
hearing the music,
being the music,
roaring,
roaring,
roaring.

Three by Ohad Naharin - Batsheva Dance Company

"The Batsheva Dance Company was founded in 1964 by Martha Graham and Baroness Batsheva De Rothschild.  In 1990, Naharin was appointed the artistic director of the Batsheva Dance Company, thereby launching the company into a new stage. The company is international in nature, made up of individually unique dancers from Israel and abroad. Dancers are encouraged to affirm their distinct creative gifts, as creators on their own."

Just discovered this photographer Jason Lee Parry

http://jasonleeparry.com/portfolio/

Terry Gilliam's Dancing Teeth

Terry Gilliam also enjoyed his hobby of (as quoted in Debrett's People of Today) "sitting extremely still for indeterminate amounts of time".

Japanese acrobats captured on 1904 film by Thomas Edison

Has the use of 35mm Film Expired in Hollywood?

Keanu Reeves explores the impact of digital technology on the film industry in Side by Side. More from KCRW.

Happy Birthday Timothy Leary, who would have been 92 today

David Lynch endorses Obama (via Dangerous Minds)

David Lynch & Isabella Rossellini by Helmut Newton

Dear Americans, Republicans, and Democrats Alike,

I am going to vote for re-electing President Obama. I have noticed something in Mitt Romney’s name, which I think speaks to what he is about. If you just rearrange a few letters, Romney becomes R MONEY. I believe Mitt Romney wants to get his Mitts on R Money. He would like to get it and divide it up with his friends, the Big Money Bunch.

I believe he would like to get his Mitts on R Money, R Resources, R Freedoms, and R American Dream. I do not trust Mitt Romney to look after the best interests of 99% of Americans. I think electing Mitt Romney would be a catastrophe for our country—one which would be real difficult to straighten out later. Please do not let Mitt Romney get his Mitts on R Money or R United States of America.

—DAVID LYNCH
Los Angeles, California

Read full story here

2 great limericks

There once was a plumber from Lee
Who was plumbing a girl by the sea
Said the girl, "Stop your plumbing,
there's somebody coming!"
Said the plumber, still plumbing, "It's me!"

A mortician's daughter named Maddie
Said to an eager but virginal laddie,
"If you do as I say
we'll have a wonderful lay,
for I've buried more stiffs than my daddy!"